Prompts do Kling 4.0: fórmula de plano e 25 exemplos prontos

O Kling 4.0 pode gerar até 30 segundos de vídeo de uma só vez. É uma ótima notícia, mas também cria um novo problema: um prompt vago que funcionava bem num clip de 5 segundos perde a coerência ao longo de 30 segundos. O modelo preenche as lacunas com as suas próprias suposições e, ao chegar ao segundo 18, o seu anúncio de café transformou-se numa panorâmica lenta de uma cozinha vazia.

A solução é deixar de escrever prompts como legendas e começar a escrevê-los como planos de filmagem. Este guia apresenta uma fórmula de sete partes que funciona para qualquer plano e, em seguida, 25 exemplos que pode colar e adaptar.

Pode experimentar todos estes prompts no gerador de vídeo com IA Kling 4.0 do Kling5 AI, que permite usar Kling 4.0 e Kling 3.0 no navegador. Há um ponto a esclarecer desde o início: Kling5 AI é uma plataforma independente de terceiros. Não é o site dos criadores do Kling e não tem ligação à Kuaishou nem à equipa do Kling. Os prompts em si funcionam em qualquer lugar onde o Kling 4.0 esteja disponível. Em novembro de 2026, o Kling 5 ainda não foi lançado; portanto, o Kling 4.0 é o modelo mais recente do Kling que pode utilizar hoje.

O que mudou no Kling 4.0 e por que motivo isso importa para os prompts

Segundo o guia dos próprios criadores do Kling, publicado em 30 de setembro de 2026, o Kling 4.0 traz quatro mudanças importantes na escrita de prompts:

• De 3 a 30 segundos por geração, sem precisar de juntar clips.
• Até 10 fotogramas-chave num vídeo. Os fotogramas-chave são imagens que assinalam os momentos aos quais o vídeo deve chegar, como um plano de abertura, uma revelação ou uma mudança de iluminação.
• Até 15 materiais de referência por tarefa, incluindo imagens, vídeos, sujeitos e referências de voz.
• Prompts de até 8.000 tokens, com espaço suficiente para um plano detalhado com marcações de tempo.

O guia do Kling resume a ideia central de forma simples: os fotogramas-chave mostram os momentos importantes, e o prompt explica como o vídeo passa de um para outro. Para uma visão mais completa das novidades, consulte a nossa análise das funcionalidades do Kling 4.0.

Uma nota sobre as plataformas: As funcionalidades variam consoante o local onde utiliza o modelo. Na ferramenta Kling 4.0 do Kling5 AI, a geração de imagem para vídeo aceita um primeiro fotograma e um último fotograma opcional; a geração a partir de referências aceita até 10 imagens e 5 vídeos, e o resultado é em 720p ou 1080p, nos formatos 16:9, 9:16, 1:1 ou 21:9. O fluxo de trabalho completo com 10 fotogramas-chave está disponível na aplicação do próprio Kling. Os prompts com marcações de tempo abaixo funcionam nas duas configurações.

A fórmula do plano de filmagem

Um bom prompt do Kling 4.0 responde a sete perguntas:

1. Sujeito: Quem ou o que estamos a ver? Seja específico: “uma mulher na casa dos 60 anos com cabelo prateado preso num apanhado solto”, em vez de “uma mulher”.
2. Ação: O que faz? Use um verbo claro por etapa da sequência.
3. Cenário: Onde e quando? Lugar, hora do dia e condições meteorológicas.
4. Câmara: Enquadramento, movimento e efeito da lente. “Travelling lento de aproximação, plano médio fechado, pouca profundidade de campo.”
5. Luz e estilo: Fonte de luz, paleta de cores e aspeto de filme.
6. Som: Ruído ambiente, diálogo, ambiente da música ou silêncio.
7. Linha temporal: O que acontece e quando. Isto é essencial para qualquer vídeo com mais de cerca de 10 segundos.

Aqui está o modelo:

[Length, aspect ratio]. [Subject] [action] in [setting].
Camera: [shot size], [movement], [lens/depth of field].
Light and style: [light source], [palette], [look].
Sound: [ambience], [dialogue], [music or none].
Timeline:
0–Xs: [beat one]
X–Ys: [beat two]
Y–Zs: [beat three]

Cinco regras para evitar novas gerações

1. Uma mudança importante por etapa. O guia do Kling recomenda mudar um elemento importante de cada vez. Não altere o local, a roupa e a hora do dia nos mesmos dois segundos.
2. Siga a ordem. Se estiver a usar fotogramas-chave, descreva os acontecimentos na mesma ordem em que os fotogramas aparecem.
3. Use verbos de câmara, não adjetivos. “Aproximar”, “orbitar para a esquerda”, “subir com grua” e “acompanhar com câmara à mão” funcionam melhor do que “dinâmico” e “cinematográfico”.
4. Coloque o diálogo numa linha própria, entre aspas. Mantenha cada fala curta. Uma frase por personagem em cada etapa é suficiente.
5. Deixe uma margem. Um plano de 30 segundos com 12 etapas parece apressado. O ideal é ter entre três e cinco etapas.

25 exemplos de prompts do Kling 4.0

Cole-os tal como estão ou substitua o sujeito, o produto e o cenário pelos seus. As durações e as proporções de imagem são sugestões.

Produtos e anúncios

1. Moinho de café pela manhã (15 s, 16:9)

15 seconds, 16:9. A matte black hand-crank coffee grinder on a pale oak kitchen counter at sunrise.
Camera: macro close-up, slow push-in, shallow depth of field.
Light and style: warm low sun through a window on the left, soft steam haze, natural film grain.
Sound: quiet birdsong outside, the crunch of beans being ground, no music.
Timeline:
0–5s: Beans pour into the grinder in slow motion.
5–11s: A hand turns the crank; fine grounds fall into a glass jar.
11–15s: The camera settles on the grinder as steam drifts through the light.

2. Ténis à chuva (10 s, 9:16)

10 seconds, 9:16. A white running sneaker with neon orange laces rotates slowly on a wet black platform as rain falls around it.
Camera: low angle, 180-degree slow orbit, sharp focus on the shoe.
Light and style: cyan and magenta rim lights, raindrops lit like sparks, glossy commercial look.
Sound: heavy rain, a deep bass pulse on each half-turn.
Timeline:
0–6s: The orbit reveals the side profile, water beading on the upper.
6–10s: The camera stops at a three-quarter view; one drop hits the toe in slow motion.

3. Frasco de produto para a pele e água (8 s, 1:1)

8 seconds, 1:1. A frosted glass serum bottle stands in shallow, perfectly still water on a white stone surface.
Camera: locked-off, top-down for 3 seconds, then a gentle tilt to eye level.
Light and style: soft diffused daylight, pale sage and cream palette, clean minimal look.
Sound: a single water drop, soft ambient hum.
Timeline:
0–3s: A single drop lands beside the bottle and sends out perfect ripples.
3–8s: The camera tilts down to eye level; light refracts through the bottle onto the water.

4. Da cozinha ao plano de destaque do produto, anúncio de 30 segundos (30 s, 16:9; ideal com fotogramas-chave)

30 seconds, 16:9. A woman in her 30s with curly hair, wearing a mustard sweater, discovers a compact blender in a bright morning kitchen.
Camera: starts wide, then medium shots, ending on a product close-up.
Light and style: bright, airy, lots of white and light wood, warm skin tones.
Sound: kitchen ambience, a short laugh, the blender whirring, a soft upbeat acoustic tune.
Timeline:
0–6s: Wide shot. She enters the kitchen, yawning, and notices a box on the counter.
6–13s: Slow push-in as she opens the box and lifts out the blender, smiling.
13–21s: Medium shot. She drops berries and spinach in and blends; the jar swirls purple-green.
21–26s: Close-up of her first sip; she raises her eyebrows, impressed.
26–30s: Product hero shot on the counter, soft morning light, glass glistening.

Com fotogramas-chave: Use uma imagem da cozinha como primeiro fotograma e o plano de destaque do produto como último fotograma.

5. Corrida ao amanhecer com smartwatch (12 s, 9:16)

12 seconds, 9:16. A runner in a dark grey jacket jogs along a coastal path at dawn, wearing a slim silver smartwatch.
Camera: handheld follow from behind, then a quick move to a close-up of the wrist.
Light and style: blue hour turning gold, mist over the sea, crisp athletic look.
Sound: footsteps on gravel, waves, steady breathing, a soft chime from the watch.
Timeline:
0–7s: Follow shot as the runner climbs a gentle hill toward the light.
7–12s: The runner glances at the watch; the screen glows with a heart icon as the sun breaks the horizon.

Comida e bebidas

6. Vapor do ramen (8 s, 16:9)

8 seconds, 16:9. A bowl of tonkotsu ramen with a soft-boiled egg, chashu, and scallions on a dark wooden counter.
Camera: extreme close-up, slow slide left to right, shallow depth of field.
Light and style: a single warm overhead pendant light, rich browns and golds, moody restaurant look.
Sound: gentle simmering, a distant kitchen clatter.
Timeline:
0–5s: Steam curls up through the light as the camera slides across the toppings.
5–8s: Chopsticks lift a tangle of noodles; broth drips back into the bowl.

7. Banca de tacos à noite (12 s, 16:9)

12 seconds, 16:9. A street taco stand at night with a cook flipping tortillas on a sizzling flat-top grill.
Camera: medium shot from the customer's side, slow push-in to the grill.
Light and style: string lights and a bare bulb, orange and teal palette, slight haze.
Sound: sizzling grill, street chatter, a radio playing faint cumbia.
Timeline:
0–6s: The cook flips three tortillas in quick succession, smoke rising.
6–12s: Close-up as he fills a taco with charred meat, onion, and cilantro and slides it onto a paper plate.

8. Preparação de um latte gelado (6 s, 9:16)

6 seconds, 9:16. Cold milk pours into a tall glass of ice and espresso on a marble café table.
Camera: side-on macro, locked off, slow motion.
Light and style: bright window light, high contrast, crisp café commercial look.
Sound: ice clinking, a soft pour, café murmur.
Timeline:
0–6s: Milk swirls into the espresso, forming slow marble patterns around the ice.

Narrativa cinematográfica

9. Faroleiro numa tempestade (20 s, 21:9)

20 seconds, 21:9. An elderly lighthouse keeper in a yellow oilskin coat climbs a spiral staircase during a storm.
Camera: low angle looking up the stairwell, then a slow crane up to the lamp room.
Light and style: cold blue storm light, flashes of lightning, a warm lantern glow, painterly realism.
Sound: howling wind, rain against glass, creaking iron steps, thunder.
Timeline:
0–8s: He climbs steadily, lantern in hand, the stairwell shaking with each gust.
8–15s: He reaches the lamp room and pulls a heavy lever.
15–20s: The great lamp ignites and its beam sweeps across black, churning waves.

10. Astronauta e uma flor (15 s, 16:9)

15 seconds, 16:9. An astronaut in a scuffed white suit walks across a rust-red rocky plain under a hazy pink sky.
Camera: wide tracking shot from the side, then a slow move to a close-up on the ground.
Light and style: dusty low sun, muted reds and oranges, epic science-fiction look.
Sound: muffled breathing inside the helmet, wind hiss, no music.
Timeline:
0–7s: The astronaut walks, then stops abruptly and looks down.
7–12s: They kneel; a single tiny blue flower grows between two rocks.
12–15s: Close-up of a gloved finger hovering near the petals, not quite touching.

11. Detetive de filme noir (12 s, 16:9)

12 seconds, 16:9. A tired detective in a rumpled trench coat sits at a desk in a 1940s office at night.
Camera: slow push-in from the doorway, then a close-up on his face.
Light and style: black-and-white, hard light through window blinds, cigarette-smoke haze, film noir.
Sound: rain outside, a ticking clock, a distant saxophone.
Timeline:
0–7s: He turns over a photograph on the desk and stares at it.
7–12s: The phone rings. He lets it ring twice, then reaches for it.

12. Barquinho de papel na valeta (10 s, 16:9)

10 seconds, 16:9. A small paper boat made from a newspaper page races down a rain-filled gutter on a city street.
Camera: ground-level tracking shot alongside the boat, wide-angle lens.
Light and style: overcast daylight, wet reflections, saturated red and yellow accents, playful.
Sound: running water, distant traffic, a child laughing off-screen.
Timeline:
0–6s: The boat spins through a small whirlpool and rights itself.
6–10s: It slides toward a storm drain, and a small hand reaches in and scoops it up at the last second.

13. Livraria do dia à noite (30 s, 16:9; ideal com fotogramas-chave)

30 seconds, 16:9. A narrow, cluttered secondhand bookshop with tall shelves and a rolling ladder.
Camera: one continuous shot, a slow dolly from the front door toward the back counter.
Light and style: warm, cozy, dust motes in the light; the light shifts with the time of day.
Sound: a door chime, pages turning, a clock, rain arriving later.
Timeline:
0–8s: Late morning. Sunlight fills the shop; a customer browses near the window.
8–16s: Afternoon. The light turns golden; a cat jumps onto the ladder.
16–24s: Dusk. Lamps flick on one by one; rain starts against the window.
24–30s: Night. The shopkeeper flips the sign to Closed and switches off the last lamp.

Com fotogramas-chave: Use quatro imagens da mesma livraria de manhã, à tarde, ao anoitecer e à noite, por esta ordem.

Personagens e diálogos

14. A aula de massa da avó (12 s, 16:9)

12 seconds, 16:9. A grandmother with flour on her hands teaches her teenage grandson to fold tortellini at a farmhouse table.
Camera: medium two-shot, slight handheld feel, then a close-up of their hands.
Light and style: soft afternoon window light, warm, documentary feel.
Sound: kitchen ambience, a pot simmering.
Dialogue:
Grandmother: "Not like that. Gently. Like you're tucking it into bed."
Timeline:
0–6s: She watches him struggle, then speaks her line.
6–12s: Close-up as she guides his fingers and the pasta folds perfectly. He grins.

15. Conversa no terraço (15 s, 16:9)

15 seconds, 16:9. Two friends in their 20s sit on a city rooftop at dusk, legs dangling over the ledge, sharing a bag of chips.
Camera: wide shot from behind, then a slow orbit to a side profile of both.
Light and style: purple and orange sky, city lights blinking on, soft and nostalgic.
Sound: distant traffic, wind, a far-off siren.
Dialogue:
Friend 1: "Do you think we'll still do this when we're old?"
Friend 2: "We'll just need a lot more cushions."
Timeline:
0–6s: Wide shot; they watch the skyline.
6–15s: The orbit reveals their faces as they speak, then laugh.

16. Barista a falar para a câmara (10 s, 9:16)

10 seconds, 9:16. A cheerful barista with a nose ring and a green apron speaks directly to the camera behind a café counter.
Camera: phone-style selfie framing, slight natural handheld movement.
Light and style: bright café lighting, natural colors, casual social-video look.
Sound: espresso machine hiss, café chatter.
Dialogue:
Barista: "Okay, secret menu time. Ask for it 'upside down.' Trust me."
Timeline:
0–7s: She leans in toward the camera and delivers the line with a wink.
7–10s: She holds up a layered iced drink to the lens.

17. Raposa simpática de desenhos animados (8 s, 1:1)

8 seconds, 1:1. A small, round-faced cartoon fox with big eyes and a striped scarf waves from the doorway of a tree-stump house.
Camera: static medium shot, then a small bounce-in.
Light and style: stylized 3D animation, soft rounded shapes, autumn colors, storybook warmth.
Sound: crunching leaves, a little "hello!" in a bright, playful voice.
Timeline:
0–4s: The fox pops out of the doorway and waves with both paws.
4–8s: It tilts its head, giggles, and a leaf lands on its nose.

Ação e desporto

18. Bowl de skate ao pôr do sol (8 s, 16:9)

8 seconds, 16:9. A skateboarder in a loose flannel shirt carves through a concrete bowl at sunset.
Camera: low-angle tracking shot, fisheye lens, following the board.
Light and style: golden backlight, long shadows, 1990s skate video look.
Sound: wheels rumbling on concrete, the snap of the tail, distant cheers.
Timeline:
0–5s: He drops into the bowl and carves up the far wall.
5–8s: He pops a frontside air at the lip, silhouetted against the sun.

19. Perseguição de parkour nos telhados (15 s, 21:9)

15 seconds, 21:9. A runner in a red hoodie sprints across connected rooftops in a dense old city, chased by a figure in black.
Camera: fast handheld follow, then a wide shot for the jump.
Light and style: overcast, desaturated with the red hoodie popping, gritty thriller look.
Sound: heavy breathing, footsteps on tin roofs, a pulsing synth score.
Timeline:
0–6s: Follow shot as she vaults a chimney and slides under a clothesline.
6–11s: Wide shot as she leaps a gap between two buildings.
11–15s: She lands, rolls, and glances back. The pursuer stops at the edge.

20. Surf dentro do tubo da onda (10 s, 16:9)

10 seconds, 16:9. A surfer rides inside the curl of a turquoise wave on a sunny tropical morning.
Camera: starts as a high drone shot, then drops to water level beside the surfer.
Light and style: brilliant sun, clear turquoise water, vivid action-sports look.
Sound: crashing surf, rushing water, then a muffled underwater moment.
Timeline:
0–4s: Drone view of the wave forming and the surfer dropping in.
4–10s: Water-level shot as the surfer crouches inside the barrel, spray catching the light, and shoots out the end.

Natureza e viagens

21. Praia de areia preta (12 s, 21:9)

12 seconds, 21:9. Waves crash onto a black sand beach beneath towering basalt sea stacks on a cold, windy day.
Camera: slow drone push forward at low altitude, then a gentle rise.
Light and style: moody overcast light, white foam against black sand, muted, epic landscape.
Sound: thundering waves, strong wind, seabirds.
Timeline:
0–8s: Low push forward as a wave rushes up the sand toward the lens.
8–12s: The drone rises to reveal the full stretch of coastline.

22. Beco numa noite chuvosa (10 s, 9:16)

10 seconds, 9:16. A narrow alley of wooden houses in an old Japanese city on a rainy night, paper lanterns glowing.
Camera: slow walk forward at eye level, steady gimbal.
Light and style: warm lanterns, wet reflective stones, deep blues, romantic travel look.
Sound: rain on rooftops, distant footsteps, a wind chime.
Timeline:
0–6s: The camera glides forward; someone with a clear umbrella turns a corner ahead.
6–10s: The camera stops at a lantern as a raindrop runs down its paper.

23. Tempestade a aproximar-se no deserto (15 s, 16:9)

15 seconds, 16:9. A massive storm front rolls across a flat desert toward a lone wooden windmill.
Camera: locked-off wide shot, slight time-lapse feel.
Light and style: harsh sun turning to dark, bruised purples, lightning on the horizon, dramatic.
Sound: wind building, distant thunder, the windmill creaking faster.
Timeline:
0–6s: Bright sun; the windmill turns slowly as the dark cloud wall approaches.
6–12s: The sky darkens and dust begins to lift from the ground.
12–15s: A lightning bolt strikes in the distance as the first gust hits the windmill.

Estilo de redes sociais e UGC

24. Unboxing na primeira pessoa (10 s, 9:16)

10 seconds, 9:16. First-person view of hands opening a small kraft paper box on a bed with a knit blanket.
Camera: POV, natural handheld movement, close framing.
Light and style: soft lamp light, cozy, authentic phone-video look.
Sound: paper rustling, a delighted gasp, soft room tone.
Timeline:
0–6s: The hands pull back tissue paper slowly.
6–10s: They lift out a hand-thrown ceramic mug with a speckled glaze and turn it toward the camera.

25. Um dia num único plano contínuo (30 s, 9:16)

30 seconds, 9:16. A young illustrator moves through her small studio apartment over one day, all in a single continuous shot.
Camera: one handheld shot that moves through the rooms with her, never cutting.
Light and style: the light changes naturally from morning to night, warm and lived-in.
Sound: room tone, a kettle, pencil scratching, rain in the evening, a soft lo-fi beat.
Timeline:
0–7s: Morning. She opens the curtains and stretches.
7–15s: Midday. She sketches at her desk, a mug of tea steaming beside her.
15–23s: Afternoon. She holds up a finished drawing toward the window to check it.
23–30s: Night. She turns off the desk lamp and the city glows outside the window.

Como resolver problemas comuns

Quando usar o Kling 3.0 em alternativa

O Kling 4.0 não é a ferramenta certa para todos os trabalhos. O gerador de vídeo com IA Kling 3.0 continua a ser útil quando precisa de Motion Control, que copia o movimento de um vídeo de referência para a sua personagem, ou quando quer criar rapidamente um clip de 15 segundos ou menos com um botão simples para ativar ou desativar o som. Para cenas longas e planeadas, mantenha o 4.0.

Experimente o mesmo prompt noutros modelos

Um plano de filmagem bem estruturado não está limitado ao Kling. Se quiser ver como o mesmo prompt fica em modelos como Seedance 2.5 ou Gemini Omni, cole-o no AI Studio, que oferece vários modelos de vídeo. Um único prompt pode revelar muito sobre a personalidade de cada modelo.

Estes prompts funcionarão no Kling 5?

O Kling 5 ainda não foi anunciado, pelo que não há orientações dos seus criadores para escrever prompts nele. Prompts como estes, que descrevem cada plano segundo a segundo, não estão ligados a uma única versão do modelo. Quando o Kling 5.0 for lançado, compare-os com as notas publicadas pelo Kling e ajuste-os conforme necessário.

Fontes

• Kling AI, guia de múltiplos fotogramas-chave do Kling 4.0, 30 de setembro de 2026
• Wikipedia, Kling AI, para o histórico de versões
• Kling5 AI, páginas das ferramentas Kling 4.0 e Kling 3.0 e perguntas frequentes do site, consultadas em 2 de novembro de 2026