Kling 4.0プロンプト：ショット計画と25例

Kling 4.0は、一度に最大30秒の動画を生成できます。これはうれしい進歩ですが、新たな問題も生まれます。5秒のクリップでは十分だった曖昧なプロンプトが、30秒では通用しなくなるのです。モデルは足りない部分を独自の推測で補うため、18秒目にはコーヒーの広告が、誰もいないキッチンをゆっくりパンする映像に変わっているかもしれません。

解決策は、キャプションのようにプロンプトを書くのをやめ、ショット計画として書くことです。このガイドでは、どんなショットにも使える7項目の式と、そのまま貼り付けて調整できる25の例を紹介します。

ここにあるプロンプトはすべて、ブラウザーでKling 4.0とKling 3.0を使えるKling5 AIのKling 4.0 AI動画生成ツールで試せます。最初に知っておきたい点があります。Kling5 AIは独立した第三者プラットフォームです。Kling自身が運営するサイトではなく、KuaishouやKlingの開発チームとの提携関係もありません。プロンプト自体は、Kling 4.0を利用できる場所ならどこでも使えます。2026年11月時点でKling 5はまだリリースされていないため、現在使える最新のKlingモデルはKling 4.0です。

Kling 4.0で変わったことと、プロンプトへの影響

2026年9月30日に公開されたKling自身のガイドによると、Kling 4.0にはプロンプトを書く際に重要となる4つの変更があります。

• 1回の生成で3〜30秒。つなぎ合わせる必要はありません。
• 1本の動画で最大10枚のキーフレーム。キーフレームとは、冒頭のショット、何かが姿を現す瞬間、照明の変化など、動画が到達すべき場面を示す画像です。
• タスクごとに最大15個の参照素材。画像、動画、被写体、音声の参照素材を含みます。
• 最大8,000トークンのプロンプト。タイムコード付きの詳しい計画を書くのに十分な長さです。

Klingのガイドでは、中心となる考え方をシンプルに説明しています。キーフレームが重要な瞬間を示し、プロンプトがその間を動画でどうつなぐかを説明します。変更点を詳しく知りたい場合は、Kling 4.0の機能解説をご覧ください。

プラットフォームについて：使える機能は、モデルを実行する場所によって異なります。Kling5 AIのKling 4.0ツールでは、画像から動画を生成する際に最初のフレームと任意の最後のフレームを指定できます。参照素材からの動画生成には画像を最大10枚、動画を最大5本使え、出力は720pまたは1080p、アスペクト比は16:9、9:16、1:1、21:9です。10枚すべてのキーフレームを使うワークフローは、Kling自身のアプリで利用できます。以下のタイムコード付きプロンプトは、どちらの構成でも使えます。

ショット計画の式

優れたKling 4.0プロンプトは、次の7つの問いに答えます。

1. 被写体：誰を、あるいは何を映すのか。「女性」ではなく、「銀髪をゆるくお団子にまとめた60代の女性」のように具体的に書きます。
2. 動作：何をするのか。展開の一区切りごとに、明確な動詞を1つ使います。
3. 舞台：どこで、いつなのか。場所、時間帯、天候を指定します。
4. カメラ：ショットサイズ、動き、レンズの印象。「ゆっくりドリーイン、ミディアムクローズアップ、浅い被写界深度」などです。
5. 光とスタイル：光源、カラーパレット、フィルムの質感。
6. 音：環境音、台詞、音楽の雰囲気、または無音。
7. タイムライン：何がいつ起こるのか。約10秒を超える動画では特に重要です。

テンプレートはこちらです：

[Length, aspect ratio]. [Subject] [action] in [setting].
Camera: [shot size], [movement], [lens/depth of field].
Light and style: [light source], [palette], [look].
Sound: [ambience], [dialogue], [music or none].
Timeline:
0–Xs: [beat one]
X–Ys: [beat two]
Y–Zs: [beat three]

再生成を減らす5つのルール

1. 一区切りにつき大きな変更は1つ。Klingのガイドは、大きな要素を一度に1つずつ変えることを勧めています。同じ2秒間で場所、服装、時間帯をすべて変えないようにしましょう。
2. 順序をそろえる。キーフレームを使う場合は、キーフレームが登場する順番どおりに出来事を説明します。
3. 形容詞ではなく、カメラの動きを表す動詞を使う。「前へ寄る」「左へ回り込む」「クレーンで上昇する」「手持ちで追う」は、「ダイナミック」「映画的」よりも効果的です。
4. 台詞は独立した行に引用符で書く。各台詞は短くします。一区切りにつき、登場人物1人あたり1文あれば十分です。
5. 余裕を持たせる。30秒のショットに12の展開を詰め込むと慌ただしくなります。3〜5の展開が適度です。

Kling 4.0プロンプトの25例

そのまま貼り付けても、自分の被写体、商品、舞台に置き換えても使えます。長さとアスペクト比は目安です。

商品と広告

1. 朝のコーヒーミル（15秒、16:9）

15 seconds, 16:9. A matte black hand-crank coffee grinder on a pale oak kitchen counter at sunrise.
Camera: macro close-up, slow push-in, shallow depth of field.
Light and style: warm low sun through a window on the left, soft steam haze, natural film grain.
Sound: quiet birdsong outside, the crunch of beans being ground, no music.
Timeline:
0–5s: Beans pour into the grinder in slow motion.
5–11s: A hand turns the crank; fine grounds fall into a glass jar.
11–15s: The camera settles on the grinder as steam drifts through the light.

2. 雨の中のスニーカー（10秒、9:16）

10 seconds, 9:16. A white running sneaker with neon orange laces rotates slowly on a wet black platform as rain falls around it.
Camera: low angle, 180-degree slow orbit, sharp focus on the shoe.
Light and style: cyan and magenta rim lights, raindrops lit like sparks, glossy commercial look.
Sound: heavy rain, a deep bass pulse on each half-turn.
Timeline:
0–6s: The orbit reveals the side profile, water beading on the upper.
6–10s: The camera stops at a three-quarter view; one drop hits the toe in slow motion.

3. スキンケアボトルと水（8秒、1:1）

8 seconds, 1:1. A frosted glass serum bottle stands in shallow, perfectly still water on a white stone surface.
Camera: locked-off, top-down for 3 seconds, then a gentle tilt to eye level.
Light and style: soft diffused daylight, pale sage and cream palette, clean minimal look.
Sound: a single water drop, soft ambient hum.
Timeline:
0–3s: A single drop lands beside the bottle and sends out perfect ripples.
3–8s: The camera tilts down to eye level; light refracts through the bottle onto the water.

4. キッチンから商品の主役ショットへ、30秒広告（30秒、16:9；キーフレーム向き）

30 seconds, 16:9. A woman in her 30s with curly hair, wearing a mustard sweater, discovers a compact blender in a bright morning kitchen.
Camera: starts wide, then medium shots, ending on a product close-up.
Light and style: bright, airy, lots of white and light wood, warm skin tones.
Sound: kitchen ambience, a short laugh, the blender whirring, a soft upbeat acoustic tune.
Timeline:
0–6s: Wide shot. She enters the kitchen, yawning, and notices a box on the counter.
6–13s: Slow push-in as she opens the box and lifts out the blender, smiling.
13–21s: Medium shot. She drops berries and spinach in and blends; the jar swirls purple-green.
21–26s: Close-up of her first sip; she raises her eyebrows, impressed.
26–30s: Product hero shot on the counter, soft morning light, glass glistening.

*キーフレームを使う場合：*キッチンの画像を最初のフレームに、商品の主役ショットを最後のフレームに使います。

5. スマートウォッチと夜明けのランニング（12秒、9:16）

12 seconds, 9:16. A runner in a dark grey jacket jogs along a coastal path at dawn, wearing a slim silver smartwatch.
Camera: handheld follow from behind, then a quick move to a close-up of the wrist.
Light and style: blue hour turning gold, mist over the sea, crisp athletic look.
Sound: footsteps on gravel, waves, steady breathing, a soft chime from the watch.
Timeline:
0–7s: Follow shot as the runner climbs a gentle hill toward the light.
7–12s: The runner glances at the watch; the screen glows with a heart icon as the sun breaks the horizon.

食べ物と飲み物

6. ラーメンの湯気（8秒、16:9）

8 seconds, 16:9. A bowl of tonkotsu ramen with a soft-boiled egg, chashu, and scallions on a dark wooden counter.
Camera: extreme close-up, slow slide left to right, shallow depth of field.
Light and style: a single warm overhead pendant light, rich browns and golds, moody restaurant look.
Sound: gentle simmering, a distant kitchen clatter.
Timeline:
0–5s: Steam curls up through the light as the camera slides across the toppings.
5–8s: Chopsticks lift a tangle of noodles; broth drips back into the bowl.

7. 夜のタコス屋台（12秒、16:9）

12 seconds, 16:9. A street taco stand at night with a cook flipping tortillas on a sizzling flat-top grill.
Camera: medium shot from the customer's side, slow push-in to the grill.
Light and style: string lights and a bare bulb, orange and teal palette, slight haze.
Sound: sizzling grill, street chatter, a radio playing faint cumbia.
Timeline:
0–6s: The cook flips three tortillas in quick succession, smoke rising.
6–12s: Close-up as he fills a taco with charred meat, onion, and cilantro and slides it onto a paper plate.

8. アイスラテを注ぐ（6秒、9:16）

6 seconds, 9:16. Cold milk pours into a tall glass of ice and espresso on a marble café table.
Camera: side-on macro, locked off, slow motion.
Light and style: bright window light, high contrast, crisp café commercial look.
Sound: ice clinking, a soft pour, café murmur.
Timeline:
0–6s: Milk swirls into the espresso, forming slow marble patterns around the ice.

映画的なストーリーテリング

9. 嵐の中の灯台守（20秒、21:9）

20 seconds, 21:9. An elderly lighthouse keeper in a yellow oilskin coat climbs a spiral staircase during a storm.
Camera: low angle looking up the stairwell, then a slow crane up to the lamp room.
Light and style: cold blue storm light, flashes of lightning, a warm lantern glow, painterly realism.
Sound: howling wind, rain against glass, creaking iron steps, thunder.
Timeline:
0–8s: He climbs steadily, lantern in hand, the stairwell shaking with each gust.
8–15s: He reaches the lamp room and pulls a heavy lever.
15–20s: The great lamp ignites and its beam sweeps across black, churning waves.

10. 宇宙飛行士と一輪の花（15秒、16:9）

15 seconds, 16:9. An astronaut in a scuffed white suit walks across a rust-red rocky plain under a hazy pink sky.
Camera: wide tracking shot from the side, then a slow move to a close-up on the ground.
Light and style: dusty low sun, muted reds and oranges, epic science-fiction look.
Sound: muffled breathing inside the helmet, wind hiss, no music.
Timeline:
0–7s: The astronaut walks, then stops abruptly and looks down.
7–12s: They kneel; a single tiny blue flower grows between two rocks.
12–15s: Close-up of a gloved finger hovering near the petals, not quite touching.

11. フィルム・ノワールの探偵（12秒、16:9）

12 seconds, 16:9. A tired detective in a rumpled trench coat sits at a desk in a 1940s office at night.
Camera: slow push-in from the doorway, then a close-up on his face.
Light and style: black-and-white, hard light through window blinds, cigarette-smoke haze, film noir.
Sound: rain outside, a ticking clock, a distant saxophone.
Timeline:
0–7s: He turns over a photograph on the desk and stares at it.
7–12s: The phone rings. He lets it ring twice, then reaches for it.

12. 側溝の紙の船（10秒、16:9）

10 seconds, 16:9. A small paper boat made from a newspaper page races down a rain-filled gutter on a city street.
Camera: ground-level tracking shot alongside the boat, wide-angle lens.
Light and style: overcast daylight, wet reflections, saturated red and yellow accents, playful.
Sound: running water, distant traffic, a child laughing off-screen.
Timeline:
0–6s: The boat spins through a small whirlpool and rights itself.
6–10s: It slides toward a storm drain, and a small hand reaches in and scoops it up at the last second.

13. 昼から夜へ移る書店（30秒、16:9；キーフレーム向き）

30 seconds, 16:9. A narrow, cluttered secondhand bookshop with tall shelves and a rolling ladder.
Camera: one continuous shot, a slow dolly from the front door toward the back counter.
Light and style: warm, cozy, dust motes in the light; the light shifts with the time of day.
Sound: a door chime, pages turning, a clock, rain arriving later.
Timeline:
0–8s: Late morning. Sunlight fills the shop; a customer browses near the window.
8–16s: Afternoon. The light turns golden; a cat jumps onto the ladder.
16–24s: Dusk. Lamps flick on one by one; rain starts against the window.
24–30s: Night. The shopkeeper flips the sign to Closed and switches off the last lamp.

*キーフレームを使う場合：*同じ店の朝、午後、夕暮れ、夜の4枚の画像を、この順番で使います。

キャラクターと対話

14. 祖母のパスタ教室（12秒、16:9）

12 seconds, 16:9. A grandmother with flour on her hands teaches her teenage grandson to fold tortellini at a farmhouse table.
Camera: medium two-shot, slight handheld feel, then a close-up of their hands.
Light and style: soft afternoon window light, warm, documentary feel.
Sound: kitchen ambience, a pot simmering.
Dialogue:
Grandmother: "Not like that. Gently. Like you're tucking it into bed."
Timeline:
0–6s: She watches him struggle, then speaks her line.
6–12s: Close-up as she guides his fingers and the pasta folds perfectly. He grins.

15. 屋上での会話（15秒、16:9）

15 seconds, 16:9. Two friends in their 20s sit on a city rooftop at dusk, legs dangling over the ledge, sharing a bag of chips.
Camera: wide shot from behind, then a slow orbit to a side profile of both.
Light and style: purple and orange sky, city lights blinking on, soft and nostalgic.
Sound: distant traffic, wind, a far-off siren.
Dialogue:
Friend 1: "Do you think we'll still do this when we're old?"
Friend 2: "We'll just need a lot more cushions."
Timeline:
0–6s: Wide shot; they watch the skyline.
6–15s: The orbit reveals their faces as they speak, then laugh.

16. カメラに話しかけるバリスタ（10秒、9:16）

10 seconds, 9:16. A cheerful barista with a nose ring and a green apron speaks directly to the camera behind a café counter.
Camera: phone-style selfie framing, slight natural handheld movement.
Light and style: bright café lighting, natural colors, casual social-video look.
Sound: espresso machine hiss, café chatter.
Dialogue:
Barista: "Okay, secret menu time. Ask for it 'upside down.' Trust me."
Timeline:
0–7s: She leans in toward the camera and delivers the line with a wink.
7–10s: She holds up a layered iced drink to the lens.

17. 親しみやすいアニメのキツネ（8秒、1:1）

8 seconds, 1:1. A small, round-faced cartoon fox with big eyes and a striped scarf waves from the doorway of a tree-stump house.
Camera: static medium shot, then a small bounce-in.
Light and style: stylized 3D animation, soft rounded shapes, autumn colors, storybook warmth.
Sound: crunching leaves, a little "hello!" in a bright, playful voice.
Timeline:
0–4s: The fox pops out of the doorway and waves with both paws.
4–8s: It tilts its head, giggles, and a leaf lands on its nose.

アクションとスポーツ

18. 夕暮れのスケートボード・ボウル（8秒、16:9）

8 seconds, 16:9. A skateboarder in a loose flannel shirt carves through a concrete bowl at sunset.
Camera: low-angle tracking shot, fisheye lens, following the board.
Light and style: golden backlight, long shadows, 1990s skate video look.
Sound: wheels rumbling on concrete, the snap of the tail, distant cheers.
Timeline:
0–5s: He drops into the bowl and carves up the far wall.
5–8s: He pops a frontside air at the lip, silhouetted against the sun.

19. 屋上でのパルクール追跡（15秒、21:9）

15 seconds, 21:9. A runner in a red hoodie sprints across connected rooftops in a dense old city, chased by a figure in black.
Camera: fast handheld follow, then a wide shot for the jump.
Light and style: overcast, desaturated with the red hoodie popping, gritty thriller look.
Sound: heavy breathing, footsteps on tin roofs, a pulsing synth score.
Timeline:
0–6s: Follow shot as she vaults a chimney and slides under a clothesline.
6–11s: Wide shot as she leaps a gap between two buildings.
11–15s: She lands, rolls, and glances back. The pursuer stops at the edge.

20. チューブの中をサーフィン（10秒、16:9）

10 seconds, 16:9. A surfer rides inside the curl of a turquoise wave on a sunny tropical morning.
Camera: starts as a high drone shot, then drops to water level beside the surfer.
Light and style: brilliant sun, clear turquoise water, vivid action-sports look.
Sound: crashing surf, rushing water, then a muffled underwater moment.
Timeline:
0–4s: Drone view of the wave forming and the surfer dropping in.
4–10s: Water-level shot as the surfer crouches inside the barrel, spray catching the light, and shoots out the end.

自然と旅行

21. 黒い砂浜（12秒、21:9）

12 seconds, 21:9. Waves crash onto a black sand beach beneath towering basalt sea stacks on a cold, windy day.
Camera: slow drone push forward at low altitude, then a gentle rise.
Light and style: moody overcast light, white foam against black sand, muted, epic landscape.
Sound: thundering waves, strong wind, seabirds.
Timeline:
0–8s: Low push forward as a wave rushes up the sand toward the lens.
8–12s: The drone rises to reveal the full stretch of coastline.

22. 雨の夜の路地（10秒、9:16）

10 seconds, 9:16. A narrow alley of wooden houses in an old Japanese city on a rainy night, paper lanterns glowing.
Camera: slow walk forward at eye level, steady gimbal.
Light and style: warm lanterns, wet reflective stones, deep blues, romantic travel look.
Sound: rain on rooftops, distant footsteps, a wind chime.
Timeline:
0–6s: The camera glides forward; someone with a clear umbrella turns a corner ahead.
6–10s: The camera stops at a lantern as a raindrop runs down its paper.

23. 迫り来る砂漠の嵐（15秒、16:9）

15 seconds, 16:9. A massive storm front rolls across a flat desert toward a lone wooden windmill.
Camera: locked-off wide shot, slight time-lapse feel.
Light and style: harsh sun turning to dark, bruised purples, lightning on the horizon, dramatic.
Sound: wind building, distant thunder, the windmill creaking faster.
Timeline:
0–6s: Bright sun; the windmill turns slowly as the dark cloud wall approaches.
6–12s: The sky darkens and dust begins to lift from the ground.
12–15s: A lightning bolt strikes in the distance as the first gust hits the windmill.

SNS・UGC風

24. 一人称視点の開封（10秒、9:16）

10 seconds, 9:16. First-person view of hands opening a small kraft paper box on a bed with a knit blanket.
Camera: POV, natural handheld movement, close framing.
Light and style: soft lamp light, cozy, authentic phone-video look.
Sound: paper rustling, a delighted gasp, soft room tone.
Timeline:
0–6s: The hands pull back tissue paper slowly.
6–10s: They lift out a hand-thrown ceramic mug with a speckled glaze and turn it toward the camera.

25. ワンカットで描く一日（30秒、9:16）

30 seconds, 9:16. A young illustrator moves through her small studio apartment over one day, all in a single continuous shot.
Camera: one handheld shot that moves through the rooms with her, never cutting.
Light and style: the light changes naturally from morning to night, warm and lived-in.
Sound: room tone, a kettle, pencil scratching, rain in the evening, a soft lo-fi beat.
Timeline:
0–7s: Morning. She opens the curtains and stretches.
7–15s: Midday. She sketches at her desk, a mug of tea steaming beside her.
15–23s: Afternoon. She holds up a finished drawing toward the window to check it.
23–30s: Night. She turns off the desk lamp and the city glows outside the window.

よくある問題の対処法

Kling 3.0を使うとよい場面

Kling 4.0がすべての用途に最適とは限りません。参照動画の動きをキャラクターに反映するMotion Controlが必要な場合や、簡単な音声オン・オフ切り替えで15秒以下のクリップを手早く作りたい場合は、Kling 3.0 AI動画生成ツールが今も役立ちます。長く、計画的に組み立てるシーンには4.0を使いましょう。

同じプロンプトをほかのモデルで試す

構成の整ったショット計画は、Klingだけに使えるものではありません。Seedance 2.5やGemini Omniなどで同じプロンプトがどう映像化されるか見たい場合は、複数の動画モデルを提供するAI Studioに貼り付けてみてください。1つのプロンプトから、それぞれのモデルの個性がよくわかります。

これらのプロンプトはKling 5でも使える？

Kling 5はまだ発表されていないため、Klingによる専用のプロンプト指針もありません。このように秒単位で各ショットを記述するプロンプトは、特定のモデルバージョンに依存しません。Kling 5.0がリリースされたら、Klingが公開する説明と照らし合わせ、必要に応じて調整してください。

出典

• Kling AI、Kling 4.0マルチキーフレームガイド、2026年9月30日
• Wikipedia、Kling AI、バージョン履歴の参照用
• Kling5 AI、Kling 4.0およびKling 3.0のツールページとサイトFAQ、2026年11月2日確認